Great Plains Art Museum

Great Plains Art Museum

Tuesday–Saturday: 10 a.m. to 5 p.m. | Closed major U.S. holidays, University breaks, and home football game Saturdays | Free admission | 402-472-6220

Detail of Richard Terrell Sandhills #3 painting

The University of Nebraska is a land-grant institution with campuses and programs on the past, present, and future homelands of the Pawnee, Ponca, Otoe-Missouria, Omaha, Dakota, Lakota, Kaw, Cheyenne, and Arapaho Peoples, as well as those of the relocated Ho-Chunk, Sac and Fox, and Iowa Peoples.

First Floor, Main & South Galleries

Collection Connections: Art in Conversation

January 20–July 25, 2026

In 2026, the Center for Great Plains Studies and its Great Plains Art Museum celebrate the 50th anniversary of the Center and the 45th anniversary of the museum’s opening. To commemorate these milestones, this exhibition highlights artworks from the collection that span the museum’s history, from the founding donation to recent acquisitions. Rather than presenting these selections in a chronological arrangement, artworks are paired or grouped to focus on formal and thematic connections and emphasize the diverse perspectives that tell the multifaceted stories of the Great Plains.

Support for this exhibition is provided by the Charles W. Guildner Great Plains Art Museum Excellence Fund.

Above: Fremont Ellis, Autumn Aspens (or Taos Woodland Scene), 1929, oil on canvas, 29 x 37 inches (framed), gift of Dr. John and Elizabeth Christlieb, 1982.0032.

Fremont Ellis, "Autumn Aspens"

First Floor, West Gallery

“All the Beauty You Can See”: Dwight Kirsch in Nature

January 20–July 25, 2026

A native Nebraskan and prolific artist, Dwight Kirsch (1899–1981) was an important figure in the Lincoln arts community in the early-to-mid twentieth century, serving as chair of the University of Nebraska Art Department and playing an integral role in the Nebraska Art Association. The Great Plains Art Museum’s extensive collection of Kirsch’s work spans his time teaching in Nebraska through his last years at the Colorado State Veterans Nursing Home. This exhibition presents a small sampling of those holdings, each selected to demonstrate Kirsch’s deep and lifelong fascination with conveying the nuances and beauty of the natural world through art.

This project was made possible in part by the Institute of Museum and Library Services.

Above: Dwight Kirsch, Big Sandhill near Burwell, Nebraska, with Melting Snow at Sunset, 1940s, gouache on bogus paper, 18 3/4 x 23 7/8 inches, gift of JoAnn Kelly Alexander, 2008.0003.0074.

Dwight Kirsch, "Big Sandhill near Burwell, Nebraska, with Melting Snow at Sunset"

Mezzanine Gallery

Indigenous Ceramics from the Collection

January 20–July 25, 2026

This permanent collection spotlight exhibition in the museum’s Mezzanine Gallery features diverse ceramic works by Indigenous artists of the Great Plains and nearby Southwest region.

Above: Chase Kahwinhut Earles (Caddo Nation), The Caddo Story of Night and Day, 2016, low-fire clay; hand-coiled, burnished, kiln-fired, and pit fire smudged, 10 x 8 (diam) inches, purchased through the generosity of the Woods Charitable Fund, 2016.0008.0001. © Chase Kahwinhut Earles.

Chase Kahwinhut Earles (Caddo Nation), "The Caddo Story of Night and Day"

LOWER-LEVEL GALLERY

With a Little Help from Our Friends: New Perspectives on the Collection

March 6–August 8, 2026

Organized in honor of the Center for Great Plains Studies’ 50th anniversary in 2026, this exhibition highlights the important interdisciplinary focus of the Center and its core intellectual community, the Great Plains Fellows. The Fellows as a group are scholars and community members who are concerned with the past, present, and future of the Great Plains, and they support the Center and its mission in myriad ways.

For this exhibition, 20 Fellows representing diverse disciplines and all four University of Nebraska campuses were invited to select an artwork from the Great Plains Art Museum’s permanent collection and respond to it in any way they chose, whether that’s examining the work through their scholarly lens or through their own lived experiences. This project provides a new avenue for Fellows to engage with the Center and Museum while also sharing fresh and varied perspectives on works in its collection.

Artwork: Sarah Rowe, Lakota/Ponca Tribe of Nebraska, b. 1981, Omaha, NE, For My Fleabitten Diamond, 2022, oil, acrylic, and ink on canvas, commissioned for the Elizabeth Rubendall Artist-in-Residence Collection, 2022.0004.0001

Banner: Richard Terrell, b. 1940, Joliet, IL, Sandhills #3, 2012, pastel on paper, gift of the artist, 2017.0008.0001

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Sarah Rowe painting

50 Years at the Center for Great Plains Studies

Great Plains Art Museum at its first home in Love Library

In 2026, the Center for Great Plains Studies and its Great Plains Art Museum celebrate the 50th anniversary of the Center and the 45th anniversary of the museum’s opening. If you value regional study, Great Plains art, and strengthening our collective connection to this place, consider supporting us this year. In celebration of our 50th anniversary, we've set a goal to raise $50,000 to help us continue our work.

Support us  More on the 50th

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