Upcoming Exhibitions

Sarah Rowe painting

Sarah Rowe (Lakota/Ponca Tribe of Nebraska), For My Fleabitten Diamond, 2022, oil, acrylic, and ink on canvas, 48 x 72 inches, commissioned for the Elizabeth Rubendall Artist-in-Residence Collection, 2022.0004.0001. © Sarah Rowe. Used by permission.

With a Little Help from Our Friends: New Perspectives on the Collection

Lower-level Gallery

March 6–August 8, 2026

Organized in honor of the Center for Great Plains Studies’ 50th anniversary in 2026, this exhibition highlights the important interdisciplinary focus of the Center and its core intellectual community, the Great Plains Fellows. The Fellows as a group are scholars and community members who are concerned with the past, present, and future of the Great Plains, and they support the Center and its mission in myriad ways.

For this exhibition, 20 Fellows representing diverse disciplines and all four University of Nebraska campuses were invited to select an artwork from the Great Plains Art Museum’s permanent collection and respond to it in any way they chose, whether that’s examining the work through their scholarly lens or through their own lived experiences. This project provides a new avenue for Fellows to engage with the Center and Museum while also sharing fresh and varied perspectives on works in its collection.

Participating Fellows:

Charles J. Bicak, Emeritus Senior VC Academic and Student Affairs, UNK

Christina E. Dando, Peter Kiewit Professor of Geography, UNO

Cristián Doña-Reveco, Associate Professor, Sociology & Anthropology, Director, Office of Latino/Latin American Studies, UNO

Sherilyn Fritz, George Holmes University Professor, Department of Earth and Atmospheric Sciences, School of Biological Sciences, UNL

Thomas Gannon, Associate Professor, English & Ethnic Studies, UNL

Angel M. Hinzo, Assistant Professor, History and Ethnic Studies, UNL

Andrew Husa, Lecturer, School of Global Integrative Studies, UNL

Regina Idoate, Associate Professor & Director of Spirituality, Culture and Health, Department of Health Promotion, UNMC

Darby Kurtz, Assistant Professor; Special Collections Curator, McGoogan Health Sciences Library, UNMC

Salvador Lindquist, Assistant Professor, Landscape Architecture, UNL

Peter Longo, Professor, Political Science, UNK

Louise Lynch-O’Brien, Associate Professor of Insect Biology, Entomology, UNL

Gwendŵr Meredith, Assistant Professor, Natural Resources, UNL

Larkin Powell, Professor, Natural Resources, UNL

Athena Ramos, Associate Professor, College of Public Health and Central States Center for Agricultural Safety and Health, UNMC

Todd Richardson, James R. Schumacher Chair of Ethics; Professor, Goodrich Scholarship Program, UNO

Beth Ritter, Associate Professor, Anthropology & Native American Studies, UNO

Liahnna Stanley, Assistant Professor of Indigeneity, Native Studies, and Communication, University of Utah (formerly Assistant Professor, Communication Studies and Ethnic Studies, UNL)

William Stoutamire, Assistant Professor, History, UNK

Laurinda Weisse, Associate Professor; University Archivist and Digital Repository Manager, Calvin T. Ryan Library, UNK

Artwork by Elizabeth Burden

Elizabeth Burden, Dreaming Into Existence II, 2024, mixed media on paper and canvas.

Elsewhere / The Prairie Was Ours

Lower-level Gallery

August 25–December 19, 2026

The prairie is not just a place—it is a presence. A rhizome not just beneath our feet but also within our psyches. Just as native prairie grasses grow from entangled networks underground, the stories here emerge from roots that are collective, dispersed, and resilient.

Elsewhere / The Prairie Was Ours invites us to understand Nyi Brathge (Nebraska) not only through geography but through relation. It asks: What lives beneath the visible? What networks of kinship, memory, and survival shape this land—and those shaped by it?

This exhibition brings together the work of three artists—Elizabeth Burden, Willa Ahlschwede, and Marci Sue Black—descendants of formerly enslaved Black American, immigrant European American, and Indigenous communities shaped by prairie life. Their works use image, sound, artifact, and gesture to trace and unsettle memory. They invite us to remember not through monuments of stone, but through echoes in the soil and whispers in the archive.

Marci Sue Black is a member of the Jiwere-Nutachi (Otoe-Missouria) tribe of Oklahoma and an Ioway descendant. Being born and raised in her tribal community has shaped and influenced everything she does including her multidisciplinary art and traditional Indigenous mediums such as sewing regalia, beading, and making jewelry, leather handbags, and belts.

Willa Ahlschwede is an educator and curator living in Tucson, Arizona, unceded homelands of the Tohono O’odham. Growing up in Omaha, she is a fifth-generation Nebraskan, where her family received land in Saline County in 1872 as part of the Homestead Act. As an educator in museums and experiential environmental education, she is interested in how we build meaning and possibility through shared experiences with art and the world around us.

Elizabeth Burden is an artist who engages in artistic archivy, blending multidisciplinary studio work with social practice to reflect on the past/present/future. She was born and raised in Lincoln; as the great-granddaughter of the first Black homesteaders (Henry and Mary Burden), she is a third-generation Nebraskan, now living in the Southwest. Burden is the Great Plains Art Museum’s 2026 Elizabeth Rubendall Artist in Residence. Visit the artist during her residency at the museum from Sept. 1 to 12. Learn more about the residency and scheduled events.